Mariah Carey didn't want a lot for Christmas. She didn't even wish for snow. But in hindsight,Lina Romay Explicit sex movie El ojete de Lulu (1986) she probably regrets not adding "better producers" to her humble gift list.
The American singer-songwriter-diva on Sunday blamed Dick Clark Productions for her disastrous New Year's Eve performance in Times Square.
SEE ALSO: Mariah Carey's lip synching was 2016's last victimCarey's comments -- shared in a video on Twitter -- are the first in her "own words" about the on-stage debacle.
This Tweet is currently unavailable. It might be loading or has been removed.
Her representative last week similarly blamed producers for the mess-up, a charge that Dick Clark Productions has disputed.
"Listen guys, they foiled me," Carey said of her bungled performance on Dick Clark's New Year's Rockin' Eve.
During the show, Carey stopped singing as her pre-recorded vocals continued to play behind her. The singer said her ear monitors were "not working at all," exacerbating the strain of freezing weather, smoke from the smoke machines and raucous noise from thousands of people packed into Times Square.
"Thus it turned into an opportunity to humiliate me," Carey said in the video, promising to divulge more details at a vague, unspecified time.
This Tweet is currently unavailable. It might be loading or has been removed.
"I cannot deny that my feelings are hurt, but I'm working through this," she said.
Carey added that she plans to take a hiatus from "media moments and social-media moments" as she prepares for her tour in March.
Topics X/Twitter
Previous:Yesterday’s Liberal
Redux: Emily Wilson, Robert Fitzgerald, and Robert FaglesThe Objects of Paul Cézanne, CapturedThe Insouciant Sentence by Jeff DolvenEvil, “Venerable,” and Otherwise: An Interview with Barbet SchroederNASA captured this enormous sunspot group in imagesThe Electrifying Dreamworld of ‘The Green Hand’Staff Picks: Fat Ladies, Flowers, and Faraway Lands by The Paris ReviewOn Edward Lear’s “The Scroobious Pip”Duchamp’s Last Riddle by Jillian SteinhauerCooking with Barbara PymPlaying BoogieAlec Soth’s Mississippi Dreamers in a Nightmare AmericaThe Rhyming Photographs of Rebecca Norris Webb and Alex Webb by The Paris ReviewAgnès Varda's Ecological ConscienceThe Objects of Paul Cézanne, CapturedThe Called Shot by Rich CohenCooking with Barbara PymPleasure Principles: An Interview with Carmen Maria MachadoThe Hollywood Darling Who Tanked His Career to Combat AntiGhost Club: Yeats’s and Dickens’s Secret Society of Spirits Redux: The Things between Me and Time by The Paris Review Staff Picks: Splorts, Seers, and Sentences by The Paris Review The Art of Distance No. 24 by The Paris Review Redux: A World Awash in Truth by The Paris Review The Art of Distance No. 23 by The Paris Review When Murakami Came to the States by David Karashima Scenes from a Favela by The Paris Review Notes on Notes by Mary Cappello Redux: Sightseer in Oblivion by The Paris Review Wait! What Year Is This? by Rich Cohen Young, Queer, and Lonely in Paris by Sophie Yanow A Medieval Mother Tries Distance Learning by Esther Liberman Cuenca Redux: X Sends Regards by The Paris Review Five Films Enrique Vila The Art of Distance No. 25 by The Paris Review The Art of Distance No. 29 by The Paris Review The View Where I Write by John Lee Clark The Art of Distance No. 33 by The Paris Review Feminize Your Canon: Alice Dunbar Cooking with Italo Calvino by Valerie Stivers
2.3648s , 10106.9453125 kb
Copyright © 2025 Powered by 【Lina Romay Explicit sex movie El ojete de Lulu (1986)】,Unobstructed Information Network